MiniMax H3 / Hailuo 3.0 · FL2VA
霓虹街区被节奏唤醒
湿润的霓虹后巷中，蓝发角色接住红桃皇后牌，面对从雾中走出的镜像人物。 原生视频规格为 16 秒 · 3840×2160。原帖完整公开了 Prompt，本页按原文保留。
- 生成模式
- FL2VA
- 模型
- MiniMax H3（创作者标注）
- 输出
- 16s · 3840×2160 · landscape
- 标签
- MiniMax H3 · 电影叙事 · 公开 Prompt · X 原帖 · 写实电影感 · 风格化与实验 · 城市街景 · 人物表演
- 提示词来源
- 创作者原文
原始 Prompt
以下为来源公开的原文 Prompt，未翻译、改写或补全。
MiniMax-H3 prompt👇 For the target video, at 0.00 seconds into the target video, <Picture 1> (from [Shot 1]) is fully referenced. integrated_multimodal_description: [Shot 1] A 15-second, 16:9 cinematic cyber-thriller image-to-video sequence set entirely inside the same wet neon back alley from <Picture 1>: the left-front railing zone where A begins, the street centerline, the puddle reflection layer, and the opposite fog-filled exit in the background. Do not add extra people, do not place both women on the same staircase segment, and do not leave this alley. Subject A is the blue-haired woman from <Picture 1>, with the same face, body, black deep-V leather bodysuit, fishnets, over-knee boots, metallic choker, glowing beverage can, goggles, and jacket ring-light. Subject B must be the exact same face, hairstyle, body, and clothing silhouette as A, but with a refined dangerous harlequin-style makeup variation, not a different woman. The story is: A rules her own staircase entrance like a queen, fog grows at the opposite exit, a Queen of Hearts card flies out, A catches it one-handed and recognizes it as a provocation, then rises and looks up to see her identical mirror-woman emerging from the fog and forcing her to leave her throne. Lighting comes only from practical neon, staircase reflections, the fog backlight, and distant storefront light. Rain, wet hair, cloth folds, skin reflections, boot splashes, condensation droplets, and natural body inertia remain physically real. [Shot 2] At 00:00-00:03.5, begin with an extremely low ground-level push from puddles, discarded paper, and lane markings into A’s boots, fishnets, thighs, leather chest, and jaw, ending in a near frame from chest to lips. A sits on the center of the third step from the bottom of the staircase, leaning slightly forward as if guarding the entrance to her territory. This is the first sensual close-up, built from collarbone, throat line, deep-V leather highlights, and the nearly invisible rise and fall of her breathing. Her first emotional state is cool sovereign control: brows relaxed but not soft, eyelids half-lowered, gaze not fully locked on the distance yet, lips lightly closed, breathing almost silent, throat moving once faintly. The puddles reflect blue and magenta neon steadily, and the opposite street exit holds only a thin fog presence. [Shot 3] At 00:03.5-00:07.0, the camera eases slightly backward and rises just enough to include both the staircase foreground and the opposite exit. The fog there becomes denser, first rolling close to the ground and then pressing outward slowly, with neon cutting bright lines along its edges. A is still seated, but the second emotional stage begins. She does not widen her eyes dramatically. Instead her breathing stops for half a beat first, her lips loosen by a fraction, the lower lids lift slightly, and her gaze truly focuses toward the opposite exit for the first time. Her head tips subtly toward the source of the sound and fog. Then a Queen of Hearts card is carried out of the fog by damp wind, turning half a rotation and gliding naturally through the mid-ground mist toward A. Do not chase the card wildly. A’s right hand rises fast and clean and catches it one-handed at chest height slightly to her right, with real deceleration in the wrist and fingers. Her third emotional stage is confirmation of provocation: before the catch, her eyes narrow sharply and the brow center hardens slightly; after the catch, she drops her gaze to the card, the throat moves once, the jawline begins to tighten, and the original calm disappears. This is the second sensual close-up, built from the catching wrist, collarbone, leather highlights across the chest, eyelash shadows, and the lip line and jaw while glancing down at the card. The Queen of Hearts face must be clearly readable; the paper is damp-soft with slightly curled edges and realistic motion. [Shot 4] At 00:07.0-00:10.2, from A’s left-front, the camera makes a slight lateral push and subtle rise, keeping the staircase, street, and opposite exit on one axis. A places her left hand on the railing and rises slowly. Her right foot steps down first, then the left follows into a high-low standing stance. She never leaves the immediate front zone of her staircase. The card remains in her right hand. Her fourth emotional stage is calm transition into combat readiness: eyes narrower and more concentrated, nostrils opening slightly with breath, lips tightening, jaw sharpening, and her gaze lifting off the card and back to the opposite exit as if thinking, “You really dared to do this.” During the rise, the leather outfit stretches and rebounds naturally, hair shifts back and settles, and her chest shows only a very slight real inertia response. This is the third sensual close-up, built from waist and hip effort, fishnet leg tension, neck and jaw line, and the chest moving with controlled breath. [Shot 5] At 00:10.2-00:12.7, hold a longer relation shot. A stays on the left side or left-lower edge of the foreground while the opposite exit sits centered in the back. Focus transfers gradually from A to B. B walks out of the fog by two small steps and stops at the edge of the backlit mist. She is the same face, same hairstyle, same body, same clothing outline as A, but with refined dangerous harlequin-style makeup: darker eye area, sharper mouth corners, and a more poisonous finish. A’s fifth emotional stage is recognition freeze. She locks for one beat: pupils contract quickly, the lip line releases for half a second, the throat catches on one breath, and for the first time her breathing goes off rhythm. Then she does not retreat; she becomes more focused. B’s emotional state is intimate contempt: stable eyes, one mouth corner rising very slowly, as if appreciating that A has finally understood. The fog keeps rolling behind B but never hides her face, and her body parts it with real wraparound flow. [Shot 6] At 00:12.7-00:15.0, use one restrained reverse shot to B in a medium close frame, pushing in extremely slowly. B stands at the street-exit edge, chin lifted slightly, one-sided smile in place, gaze locked on A at a distance. Before the line, give one tiny false-soft look; on the key words, the gaze turns straighter and the mouth shape grows more precise and cutting. The only spoken line is <d>[English] You dropped your crown.</d> It must be low, intimate, cold, and humiliating rather than loud. “You” is pressed low, “dropped” carries a little more weight, and “your crown” falls away like a verdict. After the line, A in the far frame or foreground edge takes one more step down, committing to leave her throne and meet the challenge. Her final emotional state shifts from frozen recognition into hard resolve: eyes harden again, lips tighten again, jaw stabilizes, shoulders do not collapse. When the line lands, a nearby neon briefly flickers once, and both the fog edge behind B and the puddle reflections brighten for an instant. End on the moment just before A moves toward the opposite side. Do not cut to black. overall_soundscape: Maintain a wet cyber alley ambience throughout: neon electrical hum, distant ventilation fans, moist air resonance, occasional water drips, and low street reverb. Emphasize puddle surface noise, faint leather movement, cloth friction, the subtle sound of A shifting on the step, and her almost inaudible breath. Then bring forward the slow spill of fog, the slight change in airflow at the opposite exit, the card fluttering and rotating, the light slap of paper into A’s fingers, a fine metallic tick from the railing, leather stretch and settle as she rises, fog movement as B parts it, soft heel contacts from B’s two steps, and B’s close cold line <d>[English] You dropped your crown.</d> Afterward restore the alley ambience with neon hiss, damp air, tiny puddle ripples, and fog drift. No extra voices, no subtitle cues, no music-video stingers. non_diegetic_music: Keep score minimal or absent. If any non-diegetic layer is used, make it a very thin low-frequency suspense bed beneath the alley ambience, rising only slightly once B is revealed and never overpowering the voice, neon, or the physical space.