MiniMax H3 / Hailuo 3.0 · FL2VA
湖上小船里的神秘书页
撑伞的小船上，女子读书时被小狗打断，书页间升起白色烟雾；短片以她安抚小狗收尾。 原生视频规格为 15 秒 · 3840×2160。原帖完整公开了 Prompt，本页按原文保留。
- 生成模式
- FL2VA
- 模型
- MiniMax H3（创作者标注）
- 输出
- 15s · 3840×2160 · landscape
- 标签
- MiniMax H3 · 电影叙事 · 公开 Prompt · X 原帖 · 写实电影感 · 奇幻
- 提示词来源
- 创作者原文
原始 Prompt
以下为来源公开的原文 Prompt，未翻译、改写或补全。
15-second, 16:9, cinematic realistic fantasy short developed strictly from <Picture 1>. Lock the whole sequence inside the same small lake boat space only: the same yellow-blue old wooden boat, the same dark lake water, the same orange-cyan umbrella, the same reeds and purple flowers, and the same woman, dog, and book. No second location, no extra people, no black ending. Preserve the exact same adult woman: auburn-brown long hair, straw hat, deep blue floral bikini, same face, same proportions, same seat on the right side of the boat. Preserve the same brown-white beagle with cyan collar on the left half of the boat. Preserve the same gilt-edged dark green hardcover book, starting half-open in her left hand between them. The emotional line is restrained: she wants to keep reading, the dog interrupts, the book reveals something unnatural, and she shuts it decisively before settling into wary tenderness. Blocking and continuity: left dog, right woman, middle book, rear umbrella remain stable throughout. She never stands. The dog never crosses into her side. The book follows one strict state progression only: half-open in her hand -> dragged down by the dog onto the yellow deck while still open -> closed by her own hand. Camera must always remain on the same visible gunwale side as in <Picture 1> and never cross the axis formed by the woman and the book. [00:00-00:02.5] Slow push-in, oblique half-body close shot. She leans from a slightly reclined posture toward the book. Her right palm slides along the damp gunwale to stabilize her center of gravity while her left hand lifts the book and teases up half a page with her thumb. One natural inhale lifts the ribcage and swimsuit slightly, then a soft exhale returns it. Water droplets on the shoulder and neck catch light. Focus settles on the page she is about to turn but has not turned yet. White smoke begins to emerge from the page gutter. Reflections on the water and reeds continue moving gently. Her gaze stays on the text, lips slightly parted from concentration. [00:02.5-00:03.5] Pan left along the white smoke toward the dog. The dog’s nose follows the smoke. Its eyes shift to the back of her neck before the head fully turns, ears lifting and hind legs storing energy. The dog’s launch toward the right bridges into the next beat. [00:03.5-00:05.7] The dog bites the lower-left corner of the page. The page tears with a short rip and a few paper fibers. A whip-flash shake catches the woman to the right. She recoils right-rear, her left hand losing the book, her right palm slamming down on the gunwale, and the boat tilting then rebounding. Keep face, shoulders, and upper torso together in frame. As the shoulders and back pull away, the chest follows with one short natural inertial lift; when her body stops and the boat rebounds, that motion resolves into two restrained offset responses, one vertical and one slight lateral, both physically damped by the swimsuit and body weight. Hair whips late and a few droplets leave the skin. Use only a very brief local slow-down at the rebound peak, then return to normal speed. By the end of the shot, the book falls toward the center deck, still on the dog’s side of the axis, and the dog remains left of her. [00:05.7-00:08.4] Cut to a low camera inside the same visible side of the boat. The frame stabilizes and depth shifts smoothly. The hard corner of the book cover hits the yellow deck with a muted knock; a little dry worn corner debris breaks off; the pages tremble and remain open. Show the book first, then shift focus to the continuous white smoke rising from the same page gutter. The smoke is drawn longer by the breeze under the umbrella, twists, and condenses into a semi-transparent hand reaching toward where her face was a moment earlier. The smoke-hand casts a passing hand-shaped shadow under the umbrella, consistent with the existing light direction. Her right hand is still bracing the boat. Her gaze moves from the dog to the hand-shadow. The dog has retreated back to the left side of the book. Lake ripples are caused only by the rocking of the boat. Purple flowers and reeds move irregularly in the breeze. [00:08.4-00:11.2] She does not stand. Her abdomen tightens and her body leans from the right toward the left-front. Her right hand continues to stabilize on the gunwale while her left hand reaches and catches the book cover. The camera tracks left along the same side of the boat, holding her eyes, reaching hand, upper torso, and the book corner in one frame. The forward lean lowers the chest with the shift in center of gravity; the abrupt stop before closing the book creates one short inertial rebound; quick breathing adds a small continuous rise-fall through the chest and swimsuit. Hair tips brush the shoulder and the straw-hat brim trembles lightly. She sets her jaw and slaps the book shut with one decisive movement. The pages clap closed, the cover vibrates, and the smoke-hand collapses from the fingertips backward into fine strands that retract rapidly along the original path back into the book gutter. The umbrella shadow of the hand shrinks out in sync. No floating smoke residue remains. [00:11.2-00:15.0] Slow pull-back. The book remains closed on the center deck, and her left hand is still pressing it down. Her upper chest rises and falls through two short recovery breaths, then gradually returns toward slower breathing. The dog approaches from the left and touches the back of her hand with its nose. She lifts her eyes once to confirm there is nothing above under the umbrella, then her left hand leaves the book cover and moves to the dog’s cyan collar, while her right hand still steadies the gunwale. She says softly in English, with breath not fully settled yet: <d>[English] Good dog.</d> The line is short and light. The camera pulls back to hold the half-body relationship of the woman and dog under the same umbrella. The boat rocks gently. The dog’s tail flicks only once. Her left hand finally rests on the dog’s collar. Do not cut to black. Lighting and color: preserve the original warm-umbrella and cold-lake palette. Warm top light filtered through the umbrella illuminates her skin. The lake gives soft cyan reflections in shadow. Her skin stays naturally warm with real water-droplet sheen. The smoke is cold silver-white and only local. When the smoke-hand appears, only the local light under the umbrella and environmental sound are slightly suppressed; do not change sun direction, time of day, or overall color temperature. After the book is closed, the original warm-cool balance returns. Physical logic: the old wooden boat tilts and rebounds locally from the dog’s leap and her bracing hand, and water slaps the hull into uneven ripples. The umbrella fabric and ribs tremble with the boat’s motion but do not come loose. Page tearing, cover striking wood, tiny dry debris, palms pressing wood, and droplets leaving wet skin all carry correct force and sound. The smoke originates only from the book pages, only inside the boat and under the umbrella, never passing through skin, and never causing weather or location shifts. Hair moves in layers; the wettest strands lag the most. Upper-body motion is always driven by breathing, torso acceleration, abrupt stopping, and boat rebound, with real support and no exaggeration. Hard negative constraints: no identity drift, no face deformation, no extra people, no extra limbs, no extra animals, no second location, no wide cutaway, no magical particle storm, no fake smoke residue, no zero-gravity hair, no cloth drift, no black ending, no subtitles, no watermark. overall_soundscape: The base ambience is intimate and natural: dark lake water lapping the boat, reeds moving, pages rustling, quiet dog breathing, slight umbrella fabric tremor, and soft wet skin or cloth movement. The opening includes page handling, thumb on paper, a subtle breath in, light contact of her hand on the damp gunwale, and the first faint hiss of white smoke from the book gutter. When the camera pans to the dog, bring forward the dog’s sniffing and body tension. At the grab, layer paw scrape on wood, a short paper tear, her sharp inhale, the right palm striking the gunwale, and the boat’s sudden wood-and-water reaction. Immediately after, reduce the environmental bed so the smoke hiss, slight umbrella-rib vibration, and the low uncanny presence of the smoke-hand dominate the foreground. When she lunges back in and shuts the book, the cover closes with a firm muffled clap that cuts the unnatural sound off. Then the lake sound and normal ambience return. In the ending, her breathing is still slightly unsettled as she says <d>[English] Good dog.</d> softly, and the dog answers only with a small nose touch and one tail flick. non_diegetic_music: Keep the score restrained and cinematic. Begin with a soft warm-cool suspended texture under the water and reeds, almost imperceptible, supporting the concentration of reading. As the smoke appears and the dog notices it, introduce a faint low unease without overpowering natural sounds. At the book snatch and recoil, give one brief accent and then immediately thin the score so paper, breath, boat movement, and smoke hiss lead. During the smoke-hand section, hold a narrow suspended tone with minimal low-frequency pressure. When the book is shut, let that tension collapse quickly into a lighter, warmer emotional residue. End with only a small intimate undertone beneath the returning lake ambience, with no melodramatic swell and no hard stop.